The plug-in is an absolute breeze to use and it's easy to knock out a variety of grungy or robot-like tones in an instant. Sadly, you can't play chords, but Sonic Charge says that this might be added in an update. It's usually best to set the Tracking to zero so the output is hard-tuned to the note you play, for a vocoder-like sound.
Lastly, engaging the MIDI switch makes Bitspeek use a MIDI signal to control the output pitch (so long as your host can send MIDI to audio plug-ins). You can 'freeze' the audio at any given point by reducing Frame Rate to 0 - ideal for automating in the mix or live jamming. The Rate parameter lets you set Bitspeek's internal sample rate, from a distinctly lo-fi Speak & Spell 8kHz, on through 11kHz and 22kHz, and up to 44.1/48kHz (it adapts to your project's sample rate).Īlso, there's a Frame Rate slider that determines how often the incoming audio is sampled, ranging from 0 to 80Hz when the Sync switch is Off, or snapping to beat divisions of 1/1 up to 1/64 in the On position, which is great for rhythmic material. Noise sets the balance between pitched tones and the noise generator. Tracking determines how closely the output adheres to the pitch of the input: at zero, the output pitch is a monotone robotic drone 100% follows the input as closely as it can while 200% exaggerates pitch variances. This is pretty much all you need for defining the overall sound. There are four main controls: Pitch (+/-3 octaves), Tracking (0-200%), Detune (introduces a secondary oscillator that can be shifted by up to an octave from the main one) and Noise (+/- 100%). While LPC can be used for accurate reproduction of voices, Bitspeek lets you tinker with its parameters to create more unnatural results. These parameters are stored/transmitted on a per-frame basis, to be fed into an oscillator/filter/noise combo to reproduce the speech. "RHODES" is a registered trademark of Joseph A Brandstetter.LPC encodes speech by sampling audio many times a second and using analysis techniques to suss out the oscillator pitch/volume, filter values and noise level needed to approximate each 'frame'. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. A host application that supports 64-bit VST 2.4 or AudioUnit 2 pluginsĪny references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only.A host that supports 32-bit or 64-bit VST 2.4 plugins.2GHz Pentium IV processor or equivalent.This effect in itself is great for creating metallic bell timbres, but putting it inside a delayed feedback loop opens up many other possibilities.
#Sonic charge plugins 64 bit series
an overtone series of 100, 200, 300 Hz can be shifted by 50 Hz to 150, 250, 350 Hz, making the overtones inharmonic. The difference between a frequency shifter and a pitch shifter is that it shifts the audio spectrum linearly. The frequency shifter algorithm is inspired by the classic Bode Frequency Shifter (named after its inventor Harald Bode). Echobode is a delay effect with a frequency shifter placed inside the feedback loop.
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